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An album with two excellent songs - the title track plus a song titled with the spades symbol - and, besides them and some other good moments, a big shitload of faceless noise. I didn’t like the most of Mechanical Animals either, but, again, there was some excellent tracks on it. Three, to be exact: The Speed Of Pain, The Last Day On Earth and Coma White. And there’s similarity in those good-quality songs on both albums: They’re slow, heavy, melodious, tormenting; and the emphasis is on the songs themselves instead of electric-sounding noises. The rest of both albums is mostly just uninteresting raw substance to me. But I still admire Marilyn Manson.
I’ve thought that his similarity with Iggy Pop
has been pretty much overlooked. Their voices have same kind of low
charisma in them; some of Manson’s hard & chaotic tracks even
remind me of The Stooges. And they’re both icons just the way
only an American artist can become an icon. The Americans give individual
human beings glow that’s not possible anywhere else, starting
probably from Billy The Kid or something. Danger is
sexy, I guess that’s the name of the game. And Iggy and Manson
[and Jim Morrison, Jimi Hendrix, Alice
Cooper, Kurt Cobain and countless others]
are dangerous for sure, Billy The Kid’s bastard sons. Marilyn Manson has artistic vision, and I respect that he’s fulfilling it, although I don’t like it much. I guess I’d like him to do just the kind of stuff I enjoy by him the most, melodic, fateful hard rock like those few songs. But when he doesn’t, fine by me. The album has two absolute highlights plus an enchanting cover of the old fav Tainted Love. That’s enough for me this time.
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Neon Nights / June 2003 |
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| 01. This Is The New
Sh*t |
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MARILYN MANSON - THE GOLDEN AGE OF
GROTESQUE (2003) |